My Interview with MARI COLLIER!
The
life of an author is very demanding. If
you aren’t listening to the voices in your head, writing or editing their
stories, then you’re beta reading, proofreading, promoting, or networking. Bearing that in mind, I want to thank you for
taking time to visit with me and my readers!
1.
How would you describe
yourself?
As
a child of God and someone who keeps trudging on no matter what happens. I also
have a skewed way of looking at the world and I’m able to break into laughter
at the follies of man and nature that no one seems to see but me. At least the
latter holds true since my husband died. He saw the folly of everything too.
Miss that man. I could list all the things I’ve done, but some are rather
improbable, so let’s say I’m someone who enjoys life and likes to study people.
2.
On your personal website, you
talk about writing as a child. You said
you began working for the Audubon Advocate when you were only 13 years old and
that you even had pieces published in Children’s magazines - That’s impressive!
·
How
did you begin writing and how did it lead to a job with a newspaper?
I always made up stories for my youngest brother and me to act
out. This was before I could write. I so confused him, he ran around asking,
“Who you? Who I?”
Then we had to write a story for English when I was in the sixth grade. The other two girls in the class liked it so much, they asked for a romance. I wrote it for them. They loved it. I thought it insipid. Then I started writing a Western. Unfortunately, I killed off everyone but who I thought would be the main character and his sister. My college attending, English major, brother laughed uproariously, and said, “You can’t do that.”
Mama was writing the column for the Douglas Township happenings for the newspaper. I had continued writing stories that went nowhere and filling in for here when she was too busy with the washing, gardening, canning, etc. She decided to turn the column over to me. She could pick up more pin money with selling her crocheted products. I called people and found out if they had visited anyone, or anyone had visited them, birthday parties, etc. The pay was like three cents a line, four cents if it was published in the Society page. The monthly checks were usually for less than $4.00, but more than $3.00. I had visions of being a journalist.
The published children’s story came much later.
Then we had to write a story for English when I was in the sixth grade. The other two girls in the class liked it so much, they asked for a romance. I wrote it for them. They loved it. I thought it insipid. Then I started writing a Western. Unfortunately, I killed off everyone but who I thought would be the main character and his sister. My college attending, English major, brother laughed uproariously, and said, “You can’t do that.”
Mama was writing the column for the Douglas Township happenings for the newspaper. I had continued writing stories that went nowhere and filling in for here when she was too busy with the washing, gardening, canning, etc. She decided to turn the column over to me. She could pick up more pin money with selling her crocheted products. I called people and found out if they had visited anyone, or anyone had visited them, birthday parties, etc. The pay was like three cents a line, four cents if it was published in the Society page. The monthly checks were usually for less than $4.00, but more than $3.00. I had visions of being a journalist.
The published children’s story came much later.
·
In
your bio, you mention being published in Children’s magazines. You said the pieces were bedtime stories you
told to your children, a trait you inherited from your father. Was your dad an author, and if so, was he
your biggest influence?
No,
he would tell us a bedtime story that he thought would amuse or amaze us. There
weren’t any bedtime story books to read. Sometimes he would tell a folktale,
but most of the stories he wove from his own imagination. Papa was an Iowa
farmer, hardworking, God fearing, strong, gentle man with the most astounding
memory I’ve ever encountered.
·
Who
was/were your influences and what else inspired you?
Besides
my parents and the brother that laughed, the next biggest influence was Pastor
Kaning. He taught the catechism classes that I attended. His study discipline
and explanations were fantastic. The biblical events and later the march of
faith across Europe and the Americas would be interwoven with the history of
the eras. I even learned the early Lutheran immigrants migrated from the South
into Texas in the 1830’s.
I kept writing short stories as I was certain I did not have the discipline to write a novel. None of the magazines liked my Twisted Tales, but my husband did and kept encouraging me. The story I had started when I was eleven or twelve wouldn’t go away and I kept writing it, changing characters and tearing up the pages. It wasn’t until I revived Anna, the mother, that the story became a novel.
I kept writing short stories as I was certain I did not have the discipline to write a novel. None of the magazines liked my Twisted Tales, but my husband did and kept encouraging me. The story I had started when I was eleven or twelve wouldn’t go away and I kept writing it, changing characters and tearing up the pages. It wasn’t until I revived Anna, the mother, that the story became a novel.
3.
You’ve been a published
writer for a long time, and in different facets of the industry. Do you feel like things have changed
throughout the years? If so, how, and do
you feel it’s been for the better or worse?
When
I started submitting stories, magazines were still publishing short stories.
Now they do not. Literary magazines and university presses accepted them and
still do, but they want “literary” stories. Mine are not that. They are old
fashioned type stories of human and sometimes not human happenings. Any novel
one wrote had to go through an agent and then to a major publisher. There were
more major publishers then, but an unknown not living in the New York or San
Francisco area meant that anyone looking at what you wrote wasn’t going to
happen. Then the vanity presses and small presses started nipping at their
heels. The big game changers were the Adobe Press and then the Kindle. Suddenly
stories could be published and sold without the big publishers or the vanity
presses.
My Gather The Children did go through a vanity press on the advice of my brother. I should have known better. It took seven years to regain my rights. Earthbound was picked up by a small press. I knew that was in trouble when I was told I was their bestselling author. I then started publishing through Smashwords, then the Kindle site, and finally the Create Space paperback option that Amazon offers. Now, I’m with Creativia and they do all the hard work of formatting and cover design. Even better, they do a certain amount of advertising. The latter is something that I did not know how to do and like many authors, I’m terrible at promoting or marketing.
My Gather The Children did go through a vanity press on the advice of my brother. I should have known better. It took seven years to regain my rights. Earthbound was picked up by a small press. I knew that was in trouble when I was told I was their bestselling author. I then started publishing through Smashwords, then the Kindle site, and finally the Create Space paperback option that Amazon offers. Now, I’m with Creativia and they do all the hard work of formatting and cover design. Even better, they do a certain amount of advertising. The latter is something that I did not know how to do and like many authors, I’m terrible at promoting or marketing.
·
Is
there a different process for publishing in magazines than to publish a
novel? If so, can you explain it to us?
Most magazines now want articles. That means true life or local
type stories. Research is essential and any time you write about someone or
quote them, you need their written permission. Novels can still be sent to
agents for submission to the “big” publishers.
Another option is to send them directly to smaller presses, or
e-publishers. Now all the submission are pretty much done online, but not all.
As always, no matter what type of writing or publication, adhere to their
guidelines for submission.
·
Is
it easier to publish in a magazine or to write a book? Do you prefer one style over the other? If yes, why?
Since
I don’t write articles or children stories anymore, I can’t answer about
sending to a magazine in today’s market. Over the years I have changed from
writing mostly short stories to writing novels. It is easier to write the novel
as the people and conversations have been with me for decades.
·
In
your overall publishing experience, what’s surprised, frightened, or encouraged
you the most?
There
was a real surprise when one of the college university magazines rejected my
story, but two of their editors wrote me notes telling me what a wonderful
story teller I was and how my characters came alive with just a sentence or
two. I kept writing. The next surprise
was when the small press accepted Earthbound
and the first time Earthbound
hit the top ten of the bestselling novels for that genre. That was before I
joined Creativia.
·
If
you could go back and re-do something in your writing career, what would it be
and why?
I
would never, never go through a vanity press again, and I would have written
more while I was working at the loan companies, then for my husband, and while
employed at Nintendo.
·
What
advice would you give to a novice author or journalist? Would your advice be the same; why or why
not?
Write,
write, write is now a standard answer, but still valid. I’m not sure what age
you mean when you say novice. The writer of novels or short stories needs the literature
and fine writing classes, both need grammar and/or English when taking college
courses, but I would advise the journalist to check with the hometown newspaper
and see what they want and recommend. They might even offer an internship as
our local paper does. The journalism craft has its own style of writing. They
do not need all of the descriptive scenes in a story.
4.
You say you work for “the
greatest little museum in the world,” Twenty-nine Palms Historical
Society. How did you become involved with the museum
and their “Old Schoolhouse Journal”?
I
love history, plus I was not ready to retire when I did, but my husband was
ill. Thank God we had those last eighteen months together. After he passed
away, I had to do something to ease the pain and ache. I had stopped writing on
Gather
The Children and written the most violent one, Man,
True Man. I needed contact with people again and the Old Schoolhouse Museum
needed docents.
We’re a small group and I met the then editors and asked if they would be interested in a Snapshots in Time article. They said yes, and after that was published they asked for more. Somehow I was elected to the Board of Directors, wound up taking an archival class, and then became the archivist for our group. By the way, the U. S. Post Office insists that the city must be spelled Twentynine Palms. The hyphen is one too many characters for their rules.
We’re a small group and I met the then editors and asked if they would be interested in a Snapshots in Time article. They said yes, and after that was published they asked for more. Somehow I was elected to the Board of Directors, wound up taking an archival class, and then became the archivist for our group. By the way, the U. S. Post Office insists that the city must be spelled Twentynine Palms. The hyphen is one too many characters for their rules.
·
Can
you tell us more about the journal you write for – what type of articles do you
publish and what topics are covered?
The Old Schoolhouse
Journal is the quarterly journal the Twentynine Palms Historical Society
publishes every three months. It tells what events are planned, what board is
doing, and includes articles from the past or a new, researched article. The
Snapshots in Time column covers the new exhibit or event inside the Old
Schoolhouse and lets our members that cannot physically visit our Old
Schoolhouse Museum “see” the display. Don’t laugh. Not all of our members live
in the United States or in California. Sometimes the descriptions become
humorous when describing the notes from the classes or the items put up for the
holidays or Weed Show. If the latter makes you curious, go to my website and
Link to the Twentynine Palms Historical
Society. Prepare to be awed. The Accessions Column is a straightforward
listing and description of the donated items to our museum. If they aren’t
there, the donor will call and be quite upset. A simple explanation is usually
sufficient: the editor asked for the
column two days before the item was donated or the proper release form was not
signed.
·
Has
the museum and journal affected how you write at all? How does writing articles differ from
novels? Do you have a style preference?
I
much prefer writing stories whether novels or short stories, but the columns
are for the museum and there wasn’t anyone else to write them. The museum is
now attracting some younger members to fill in the spaces so I may retire one
of these years, but this still keeps me connected with people.
·
What
has article writing taught you about creative writing, if anything?
That
column writing is more like journalism and I prefer to tell stories. We did
have two reporters from the area that would sometimes submit articles, but alas
they moved to Texas.
·
What
sort of writer do you consider yourself?
Do you identify yourself as a journalist, sci-fi writer, or something
else entirely?
Julie,
I had never really thought about it until now. The answer must be that I am a
storyteller. My stories usually highlight some aspect of family life, but not
always. Humans and beings from other planets have the same basic needs: Shelter, food, work, leisure time, love, and
companionship. When those needs aren’t met something interferes with the web
that holds societies together.
5.
What is your favorite genre? Would the answer be the same if we specified
it to what genre you love to read most compared to what genre you love to write
in most?
History
and archaeology and then science fiction.
6.
How did you find our
publisher, Creativia
and what made you decide to sign with an independent publishing house?
One
of the authors in a Writing Group on Facebook had signed with them. She urged
me to submit to them. She was glowing in her praise of what they were doing for
her novels. I took her advice as setting up the novels on Create Space was
taxing and finding a suitable cover was another problem. Fortunately, the small
press publisher allowed me to keep the covers, but my novels weren’t moving
that fast. They sold, but sporadically. Did I mention I’m terrible at publicity
and marketing?
·
How
has Creativia
impacted your writing career?
They
have definitely impacted everything. The pocketbook is fuller and reviews pop
up from all over. I used to know everyone that wrote one. That is no longer
true. The time I spend writing or getting the word about my new novels or
anthologies has impacted my reading. I would love to read more, but the time
slips away.
7.
Before we close, is there
anything you would like readers to know about you or your work?
It’s
speculative fiction. The characters are all invented and, yet, they will have
characteristics of people I have known. Anna’s personality is based on my
mother, a passionate, hot tempered woman who could out work any normal person.
She was also what the world would call a clairvoyant. My works are stories of
love, striving, and survival no matter what world, planet, or the
circumstances.
·
As
an author, I understand just how tough this industry is. There are days when each of us wonders why we
do what we do, struggling with a poor review or harsh criticism. That being said, can you tell us what drives
you to continue to write? How do you get
past the painful hurdles we all face?
o
I guess you could say I’m something like the old, pioneer woman.
You just keep working because it is there to do.
·
In
contrast, how do you deal with success?
Are you comfortable with praise or how do you cope with attention?
o
Oh, heavens, I admit to being vain enough to enjoy every minute
and word of praise. I’ll also admit that I nearly broke out in tears when
someone told me they loved Gather
The Children so much that they re-read it. To think that one of my stories
had evoked a response like that was a bit overwhelming.
Thank
you again for sharing your time and talents.
I wish you all the success in the world!
READERS
INTERESTED IN MARI COLLIER:
you can follow these links to your country’s Amazon page to purchase her books:
US Readers UK Readers
you can follow these links to your country’s Amazon page to purchase her books:
US Readers UK Readers
This is fascinating. This author has been a big influence on my own submissions to Creativia and also her faith and wisdom has impacted this old brain quite a bit. I am an author, too, and agree with much of what Mari says, but my parents were a lot different and my early experiences were a lot different. Let's say that I admire this author and anything she might have to say, although we do not always agree on the fine points. An excellent interview and thank you for this.
ReplyDeleteThank you for your lovely comments! I, too, think Mari Collier is a sweet lady!
DeleteHow did I miss thanking you for this? Thanks so much. It's always fun to share with you.
ReplyDelete