My Interview with Natalie J. Case!
Welcome! I appreciate you sharing your time and
talents with me and my readers. I am
excited to interview you, learning about your writing experiences and sharing
time with a fellow cat lady!
1.
I always begin my interviews
with the same question because it’s actually very revealing. That being said, would you please start by
describing yourself to us?
I
always fail at this. I am always more comfortable describing others. There are a handful of labels that generally
apply to me, I suppose. Writer.
Photographer. Short. Music lover. Single. Complicated. Spiritual. Kindness
Distributer. Champion of various causes. Firm believer in Equality and the
First Amendment. I'm a fan of kickass female characters, kickass music played
loudly, and exploring the limits of my abilities.
2.
I know you’ve been writing
pretty much your whole life, but you are new to publishing. What finally inspired you to publish and why
did you opt to sign on with Creativia?
I originally
opted to self-publish "Forever"
because I've always been a loud proponent of shaking up the traditional
publishing paradigm. Writers have been
forced for a long time to fit whatever niche the traditional publishing world
wanted filled. I'm not good at fitting
in holes made by other people.
So,
I self-published. The problem with that
is I'm not overly good at self-promotion and I'm an insanely busy person
(working a full time job, writing, part time professional photographer, family
commitments, volunteer commitments), so when a friend of mine published with Creativia I asked her about the company,
thinking of submitting a novel I'm currently working on. Then I wondered if re-releasing "Forever" through Creativia might be a good foot in the door…
and here we are.
·
What
led you to Creativia? Do you notice a difference in having a
publisher compared to self-pubbing? How
has Creativia
impacted your writing career?
o
My friend, Susan Alia Terry,
published her first novel "Coming
Darkness" through Creativia
earlier this year. I was approaching the
end of my first draft on a new novel and thinking about looking for a
publisher. Creativia ended up on my short list,
largely because I'm still not a fan of traditional publishing, and I'm leery
about the whole agent relationship.
o
After a conversation with Susan,
I decided to give it a go and submit "Forever" for
consideration.
o
The immediate difference is the fact that there is a built in
sort of community to help with the leg work.
Having the other authors and the street team
willing to lend a hand with promo work has already proven to be good for the
book.
·
What
advice would you give to someone looking at publishing a novel?
o
Take the time and spend a little money to get an objective
editor to give it a thorough once over before you start shopping it
around. The best writer in the world can
be made better with a good editor.
·
What
advice was given to you?
o
The best writing advice I've ever been given was to write the
story that mattered to me. Writing for
myself makes me happy, so if anyone else ever likes what I write, that's just
extra happiness.
3.
You’ve been an avid reader
your entire life. You’ve mentioned being
moved by authors such as Tolkien, Heinlein,
and Asimov. Do you think you became a writer as a
by-product of reading, like a natural progression in your love for the written
word, or was it directly inspired by the vivid worlds these other authors
created?
To
be honest, I think the reverse is true.
I've been telling stories since before I could read. When I discovered
that other people told stories too, I was in love.
My
mother instilled a love of words in me very young, so I was always hungry for
more. I read books well above my age
level, often with a dictionary beside me so I could look up words I didn't
know.
I
was reading Tolkien at 9, Heinlein by 11, and Asimov shortly after that. I was in my teens before I realized that
everyone didn't have stories unrolling in their heads all the time.
·
Being
both an avid reader and author myself, I would guess it’s a combination. I feel like reading books feeds my writing,
getting the creative juices flowing.
What or who do you think is your muse?
o
I joke that my muse is named Brain. She wears combat boots and a
pink tutu, smokes cigars and she can world build faster than a bullet train and
collects people everywhere we go.
o
I think that honestly, my inspiration comes from everything
around me. I observe, even
unconsciously, and store minutia away for later use. Brain rummages through the collection and
pulls out whatever is needed for a character, scene, world building, etc.
·
Do
you get writer’s block and if so, how do you deal with it? If you don’t experience it, why do think that
is, and what do you think causes it in others?
o
I have experienced it in the past. Usually due to stress. Which is funny because I deal with stress by
writing. Any day I don't write is a day
when stress wins. Too many of those in a
row and I can have a dry spell. But I
usually have at least two stories in progress, and when I stall out on one, I
can switch to the other and find words. Or I give poetry a go.
o
Sometimes I have to switch creative gears all together and grab
my camera and head out.
·
What
is your favorite genre? Do you give the
same answer for favorite reading genre as you do for favorite writing
genre? Why or why not?
o
I'm not very good at "favorites" I'll admit. I'm kind of an omnivore when it comes to
reading. I tend toward fantasy and sci-fi,
but a good mystery or thriller is good too. I love a well written biography and
I have hunger for non-fiction books on interesting topics.
o
I'm currently reading a book on re-writing Celtic history by my
friend Michael
Gorman, and I recently finished a book about the way LGBT authors wrote and
communicated during a time when being gay would get you killed.
o
About the only thing I don't really read is romance. I don't
mind romance in what I'm reading, as long as romance isn't the point of the
book.
o
Writing on the other hand…I do tend to a specific sort of story.
"Forever",
obviously is a vampire story. The trilogy I'm working on now is set in the
modern US, and deals with paranormal beings. I'm sketching out the outline of a
sci-fi novel with genetically modified characters and a fantasy novel/series
with magic of a sort.
o
I probably write in those areas because they were among my first
loves in the larger world of fiction when I escaped the young adult section of
the library and I'm comfortable there. I
do try to stretch my muscles and write in other genres, but so far none of them
have gone beyond a short story.
4.
I know you love vampires, the
paranormal, magic, and mythology. How
were you first exposed to these topics and what do you think encouraged your
intrigue?
Obviously,
reading Tolkien
at such a young age got the whole thing started. And for a time it was the lure of the
forbidden. I was involved in a very
strict religious situation as a young teenager.
At about the same time, I discovered Katherine Kurtz
and fell in love with the amazing medieval world she painted and the very
structured magic system that existed in it. I'm not really sure where my love
of vampires came from… but I found Steven King around
14, read "Salem's
Lot" and never looked back.
·
Do
you have a favorite era for mythology?
For example, I prefer the Norse Mythology to Greek Mythology.
o
As a Pagan, I study a lot of mythology. I probably know Greek/Roman best, but am most
drawn to Celtic mythology and Native American mythology. It is an interesting
thing, to look at the similarities between myths of very different
cultures.
o
Creation myths are among my favorites.
·
Do
you think supernatural creatures are the same as mythological ones? I can see how some can cross over,
over-lapping into both sub-groups, but ultimately, I see them as different
entities. Thinking about it, I feel like
mythology is more in-line with pagan religions and gods/goddesses, whereas
supernatural creatures are like separate entities, beings with powers, like
shape-shifters. How do you think about
them and how does that play into your ideas about magic?
o
This can get complicated. *grin*
o
As a Pagan, again, I don't necessarily feel that anything is
really *super* or *para* normal. There
is only what we consider normal and the things we don't understand yet. That said, I think our basic ideas of
paranormal creatures come from our base human fears.
o
The psychology around what a vampire represents, for example,
really goes to some of our basest fears and taboos. The overt sexuality, the
perversion of drinking blood and taking a life to survive, the fear of being
buried alive. Even the traditional
method of attacking a vampire hearkens to our need to have our god protect us
from that fear.
o
Gods and Goddesses on the other hand come from the world around
us. They help us grasp the things we cannot control or understand. They explain
the storms, the sun, the moon, war, famine, disease, and the seasons. They bless us and we continue living.
o
So, I guess what I'm saying is that the paranormal/supernatural
comes from inside us while the Gods and Goddesses come from without.
·
How
do you define magic? Do you think magic is a religion, found in chants and
potions, or is it something completely supernatural? Is magic the ability to learn how to
manipulate the energies and natural resources around you or is it a special
power or ability?
o
So many answers to this question. I think I'll stick to the fictional to keep
it simple. That answer is this: it depends.
o
When I write magic into a world, I have to make those decisions.
In the trilogy I'm working on now, it is something inborn to certain species,
but they still have to learn how it works, and it doesn't necessarily work the
same for each of them, but there is also a more… hmm… natural maybe, magic as
well that anyone can learn… the magic of using the gifts of the earth and the
personal will to mix teas and potions and bless talismans and the like.
o
In one of the other things I'm working on, it is very tied up
with the religion of the world and the dedication to the study of that religion
and the rituals of that magic.
·
Why
are you so drawn to vampires? What fed
your interest?
o
The psychology of it fascinates me.
o
The first vampire book I actually recall reading was "Salem's
Lot" and it was the beginning of my obsession.
o
I devoured a lot of books, watched a lot of movies. I'm a big fan of an author who can hold to
the "traditional" idea of the vampire and still make changes to make
them their own (without crossing the line into ridiculous).
·
There
are different views of vampires, just as there are many versions of
Sasquatch. I am curious to learn how you
define them – are they cruel, hell-bound, soulless creatures or are they
victims of a blood condition, spread like an untreatable virus that curses them? Are they horrifying and gruesome or they
charismatic and attractive?
o
Once again, I have to go with: it depends.
o
In "Forever",
making a vampire requires a force of will.
The act of turning them often bleeds away the best parts of the people
they once were and leaves them with only the darker aspects of their human
nature, but a few, who are stronger of character, can retain some of their
better selves.
o
Crenoral, the Father of Amara's "Family" was cruel and
dark and gruesome, yet Leonard and Moira retain some of their elegance and
grace.
·
When
you write about vampires, do you go with the traditional blood drinkers or do
you prefer the psychic vampires, feeding on energies?
o
I've never written the psychic sort, though they fascinate me
too. I've read some good short fiction with psychic vampires and I may play in
that pool at some point. In "Forever"
though, the vampires drink blood.
5.
When I read your bio on your Creativia
Author Page, it said you enjoy exploring
“the sometimes vanishing
line between good and evil.” That concept fascinates me. Do you think good and evil exists as
something black and white, in gradating colors of grey, or as something in
between the two?
Good
and evil are, at the base, societal constructs.
Sure, we have some that we think are universal. Murder is evil. Charity is good. But it gets complicated when you dig down
from the simple statement. You have to
define murder, and many of us would define it differently. For example, some say that abortion is murder. Many others say that it isn't. Some believe that any forcible death is murder. But, if you are forced to kill someone to
prevent your own death, is that necessarily evil?
That
gets even more complicated when you move away from simple absolutes.
Is
lying evil? Is sacrifice of self good? The answers vary based on the details and
your location. Many things we once
thought were good we now consider evil.
I think there is a line, but I don't think it's set in concrete. I think it moves and it changes, and all we
can do is do the best we know how with the information we are given at any
given time. That line runs from absolute
evil to absolute good. But the
definitions of those are liable to change.
·
How
does your ideas about good and evil interplay with concepts such as magic and
religion? Furthermore, how does it
affect the way you view various creatures?
Do you think a vampire is an evil parasite for its blood-lust or a
blameless creature doing what they must to survive, like a lion killing a
Giselle?
o
I like to play with the concept.
I'm interested in exploring the aspects of both good and evil, in
turning our perceptions of them on their head as a means of
self-examination. I want to challenge
the traditional view and make people think about what they know to be true,
what they believe.
o
I think I approach this based on my own sense of morality. I'm
very interested in personal responsibility, on self-knowledge and
self-awareness, so the characters who exhibit these things are my heroes. Those
who are self-centered, who take what they desire and drop bodies in their wake are
my villains.
o
I think in my world, a vampire is an exaggerated version of the
human being they come from. A person who
is a cruel and angry man will make a cruel and angry vampire.
·
What
are your vampires like? Are they evil,
like the traditional view of Dracula, or are they noble and
innately good, like the version we see in Dracula
Untold?
o
It's a good mix. There are certainly traditional Dracula
types, particularly in Crenoral and Bestin, two of the three brothers who were
the first vampires. I think it's also
true that the longer a vampire lives, the less of their human self remains, so
even those who are "good" will eventually lose sight of what it is to
be human, grow indifferent to the short lives and pull back from living in the
world, letting them let go even more.
o
We do see some of the more noble sorts, in Moira and Leonard, in
Joy. And in Rebeka we see a sort of combination of the two. She loves the hunt, but she hunts men who
hurt others. She revels in the taking of
blood, but gives with a child-like innocence to Amara when she is done.
6.
Your book, FOREVER
has a protagonist that is neither vampire nor human, but a blend of the
two. I know she has starred in many of
your short stories before she emerged into the Amara we know in the novel. Why do you think she has stayed with you for
so long and what makes her so special to you?
I
was 16 when I wrote the first short story that would become "Forever". It's actually the asylum scene, or part of
it. It's changed a lot since that first
short story. When I started she had no
name, her voice was a vast departure from anything I had ever written. Every year for the next four or five, I wrote
at least one more short story in the series.
They all started with Amara telling a story, that then led to a flashback,
and came back to wrap up the story. By
the time I was 21, I had the building blocks of a vast portion of her life.
That was when a friend suggested it would make a good novel.
"Forever" was not my
first novel, but it was the first one I thought could actually become
something. I could hear her voice in my head.
She was a part of me. I had never felt like that before.
·
Why
did you create her as a hybrid instead of making her a full vampire or a human
with some supernatural power(s)?
o
The easy answer here is that I didn't create her at all, she
just existed and told me her story. I
know, it sounds corny, but I often felt like I was just the scribe. I don't
think I knew exactly what she was until about the third short story and I was
2/3rds of the way through writing it before I realized exactly who she was (don't want to spoil anyone).
o
But, more practically, there's an ability to explore the
psychology of both human beings and vampires when your primary character lives
in both worlds. We see evil in both
vampires and humans. We see love in both
as well. And with Amara bridging the gap between them, yet existing outside of
both, we get to look at them from her point of view.
·
Are
you trying to make a statement with Amara or just entertain readers? Expanding on that question, what do you hope
readers find when they discover her?
o
I think I set out to entertain myself. Amara is a part of me, so I guess I'm hoping
readers find something about her that they like. Maybe let their ideas of good and evil be
challenged a little, maybe look at things from a different perspective.
o
Mostly, though, I hope that readers can fall into the world of "Forever"
for a few hours and forget the dishes in the sink and the spreadsheet that
needs formatting and the rest of their everyday lives.
o
It is meant to be a stand-alone.
o
There is a nagging idea in the back of my mind though about a
second book, one that can explore the darkness of a good man being turned and
how he justifies the life he lives after. But seeing as I have six books I have
currently sketched out and started writing, it will be a while.
7.
As we near the conclusion of
our interview, I’d like to ask if there’s anything you’d like readers to know
about you or your work?
*laughs* Like
any other writer, I'm a little bit nuts?
I have a billion voices in my head and they all have a story. I need a USB port into my brain! And I'm
hungry for feedback, so if you read "Forever"
please, please leave a review.
I
really enjoyed probing your mind and discussing such fascinating subjects! Thank you for sharing your time and I am sure
we all look forward to reading FOREVER, as well as your upcoming
works!
THANKS!
Wonderful interview! There is so much here - so much depth :-)! Great job Julie! Great job Natalie!
ReplyDeleteThank you! I really enjoyed this interview greatly!
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